When I meet with prospective wedding clients in Pittsburgh, I’m often asked about my style of photography. I know this is a question that brides are encouraged to ask when reading wedding websites or magazines. And while the intent of the question is good, it is often answered with a few words that don’t hold a lot of meaning for most brides and grooms. What they want to know is if the photographer is a comfortable fit for their style. I think this is an important conversation because often a couple might want to define their wedding photography by a familiar phrase without considering the visual end result.
I’ve recently decided to turn the tables when it comes to this topic during consultations. I ask brides and grooms if they could have any type of wedding photography, what would it look like? This question can be daunting because it requires a bride and groom to describe the images they’re naturally envisioning when they think of their wedding. Sometimes preconceived notions will influence their response. For example, I often hear couples say they prefer a photojournalistic style because they don’t feel comfortable with posing. That can be very accurate in some cases, but I don’t think a pure photojournalistic style is a good fit for all couples. And I’m not knocking wedding photojournalism—many of my colleagues are excellent wedding photojournalists and I have a lot of respect for their talent. But I think the fact that wedding photojournalism has been such a mainstay in wedding photography over the last few decades, it has clouded the way brides and grooms describe what they want their wedding photography to look like.
One small caveat before I move on: I operate in a semi-photojournalistic mode throughout the majority of the day because I prefer not to interrupt the flow of the day and find wedding photojournalism to be the perfect response to the need for telling the story of the day. But my strength in photographing weddings is composing flattering shots and working with lighting. That means I need to interact with the bride and groom in order to do what I do best and that’s a major break away from pure photojournalism. So to make sure there is room for me to work with brides and grooms on their day, I ask that couples set aside a minimum of one hour in their day. During that time, we create lots of images that often show up in clients’ wedding albums and on their walls. When you’re paying to have a photographer document your day, it’s important to make sure there is enough time for photography in your wedding schedule.
Getting in front of the camera can be intimidating, but how much more intimidating is it when you don’t know what to do? I recently attended a workshop with Jerry Ghionis where he covered posing and evoking emotion. I have to say I’m a big, big fan of Jerry’s. I love how he interacts with his clients, making them feel comfortable and keeping things light and fun. On top of that, his portraits at weddings are mesmerizing. Anyway, Jerry mentioned that when he meets with brides and grooms, they often clam up at the thought of posing. He noticed a disconnect when they would get excited about his images, but not realize what goes into creating them. With help from his second shooter, Jerry might introduce some creative lighting, then guide couples into a natural pose. He’s completely respectful with brides and grooms the fact that it is their wedding day, yet his approach allows him to create images that convey their love in a way that makes them really shine. I learned a lot during the workshop and look forward to implementing some of what I’ve learned in the upcoming wedding season.
If you’re looking for a wedding photographer, here’s my best advice: 1. Do you like the images you see in the photographer’s portfolio? 2. Talk with the photographer about his/her approach for documenting the day. If the photographer’s approach makes you feel comfortable and you like his/her portfolio, then the choice is easy! My purpose is not to say that one style is better than another, but just to help brides and grooms who are planning their wedding to know how to find their best match for wedding photography.
Over the next month, I’ll be looking back at weddings from the past season to get a good sense of where I’ve come from and where I’m headed as a wedding photographer. I’ll be taking notes and sharing some favorites along the way. My wedding season starts at the end of this month, so this is where I dig in and get ready to make the most of it!
I’m getting all geared up for the 2011 wedding season here in Pittsburgh and I have an exciting way for brides and grooms to enhance their wedding photography. Captivating Imagery is now offering Studio Bridal Sessions at SteelGate Studio. I’ve developed a new approach to bridal sessions which seem to have gone by the wayside over the last decade or so. When I think of my grandma in her wedding dress, I’m immediately taken back to a beautiful studio portrait of her with her train fanned out. It was fitting for her 1947 wedding and she looks so lovely. I’m glad to know what she looked like in her wedding gown and to have a stunning portrait of her at one of the most important times in her life. There’s a lot to be said for that.
While wedding photography has dramatically changed since then, I think there is still a need for beautiful portraits of the bride. And while I always take time to photograph the bride on her wedding day wherever we are in the time that is afforded, there is no substitute a studio bridal session. I’ll share more about that later in this post, but for now, let’s get to some images of what I’m proposing is a more contemporary approach to studio bridal portraits.
This is from Evette’s session. She’s getting married in June this year and wanted to give her husband-to-be some portraits of her in her wedding gown in a more relaxed setting. It’s very unlikely we’d have much time for this type of portrait on her wedding day, not to mention most brides don’t want to wrinkle their dress or mess their hair. The look is more on the sexy side and it shows of the neckline of her gown. It’s a nice alternative to a boudoir session because a bride can be dressed in her gown and be a total knockout. Plus, if a family member or friend stumbles upon the portrait someday, there’s no need to blush!
The sessions include two looks with many variations, so we take our time and try new angles and poses.
The session also includes a stylist who pampers the bride prior to the session with complete make-up and hair design. Amber Altany did Evette’s hair and make-up for this session. It is a wonderful experience for the bride and invaluable for me as the photographer, because the stylist stays during the shoot and assists with stray hairs, adjusting the dress, and touching up the make-up. That way, I’m free to focus on what I do best.
We made the most of the natural light streaming in from the studio windows. Ok, now on to a fashion-inspired look with studio lighting. This second look aims at showing off the details of her gown in a fun and lighthearted way.
We got out the wind machine and really had fun with it.
Rather than using a muslin or canvas backdrop like the traditional studio bridal portraits, I opted for gray seamless with a nod to fashion photography.
Evette’s dress is to die for. Here’s a full-length view of the back:
And now with a slightly different lighting set-up, Evette really shines in this close-up.
So, in keeping with the times, this approach to studio bridal portraits is a fun and fresh way to create gorgeous images of the bride before her wedding. In my experience, I find that these images are cherished by both brides and grooms and they become more and more valuable as time passes. A wedding is the perfect occasion to commission a portrait session that highlights the bride’s beauty at such an important time in her life. I recommend scheduling studio bridal sessions between 4 and 2 months prior to the wedding. It is a wonderful, stress-free experience that couldn’t come at a better time for most brides. Studio Bridal Sessions are $450 and include a stylist and a disc of high-resolution images with permission to print for personal use. If you’d like to know more, please contact me (Kate) to schedule a consultation.
Here’s a slide show of Evette’s session:
http://www.captivatingimagery.com/blog/wp-content/uploads/2019/03/Web-Use.png00kmillerhttp://www.captivatingimagery.com/blog/wp-content/uploads/2019/03/Web-Use.pngkmiller2011-03-28 14:41:142013-11-18 16:11:26Introucing Pittsburgh Studio Bridal Sessions
Thanks to everyone who stopped by my booth yesterday at the Pittsburgh Bridal Show! It was such a great day! I love meeting brides and getting to know about their weddings. If you happened to enter my contest for a free studio bridal portrait, I’m ready to announce the results. And the winner is….(drum roll, please)…Jessica Dishler! Congrats Jessica!
Here’s a glimpse of my booth at the show:
http://www.captivatingimagery.com/blog/wp-content/uploads/2019/03/Web-Use.png00kmillerhttp://www.captivatingimagery.com/blog/wp-content/uploads/2019/03/Web-Use.pngkmiller2011-03-21 14:13:482013-11-18 16:11:42Studio Bridal Session Contest Results from the Pittsburgh Bridal Show
As a Pittsburgh wedding photographer, I aim to offer my brides and grooms with a variety of albums to choose from. So I’m adding a some new options into the mix and this one is the crème de la crème. I’m pleased to present handcrafted fine art albums by Cypress. These albums are made with Hahnemühle fine art paper and bound in your choice of luxurious brocades and silks. I have to say that when you hold one of these albums in your hands, the touch is a major part of the experience, because the albums are made with some of the finest materials available.
Here’s my sample album from Rebecca & Patrick’s wedding. This is how the album is packaged when it is shipped. It’s wrapped in velum and tied with a bow with a foil-stamped tag.
http://www.captivatingimagery.com/blog/wp-content/uploads/2019/03/Web-Use.png00kmillerhttp://www.captivatingimagery.com/blog/wp-content/uploads/2019/03/Web-Use.pngkmiller2011-03-12 15:03:012013-11-18 15:39:00Presenting Handcrafted Fine Art Albums
Last Saturday, I had the privilege of joining Alex Jones to assist and photograph a portrait session at SteelGate Studio with Flashes of Hope. Flashes of Hope is a nonprofit organization that provides portrait sessions to children with cancer and other life-threatening illnesses with the purpose of changing they way they see themselves with the gift of photography. The organization also raises money for pediatric cancer research.
Here’s a mother and her 3-month old daughter who joined us that day.
http://www.captivatingimagery.com/blog/wp-content/uploads/2019/03/Web-Use.png00kmillerhttp://www.captivatingimagery.com/blog/wp-content/uploads/2019/03/Web-Use.pngkmiller2011-02-25 16:58:482013-11-18 16:13:33Pittsburgh Portrait Photographers with Flashes of Hope
My Wedding Photography Style
/by kmillerWhen I meet with prospective wedding clients in Pittsburgh, I’m often asked about my style of photography. I know this is a question that brides are encouraged to ask when reading wedding websites or magazines. And while the intent of the question is good, it is often answered with a few words that don’t hold a lot of meaning for most brides and grooms. What they want to know is if the photographer is a comfortable fit for their style. I think this is an important conversation because often a couple might want to define their wedding photography by a familiar phrase without considering the visual end result.
I’ve recently decided to turn the tables when it comes to this topic during consultations. I ask brides and grooms if they could have any type of wedding photography, what would it look like? This question can be daunting because it requires a bride and groom to describe the images they’re naturally envisioning when they think of their wedding. Sometimes preconceived notions will influence their response. For example, I often hear couples say they prefer a photojournalistic style because they don’t feel comfortable with posing. That can be very accurate in some cases, but I don’t think a pure photojournalistic style is a good fit for all couples. And I’m not knocking wedding photojournalism—many of my colleagues are excellent wedding photojournalists and I have a lot of respect for their talent. But I think the fact that wedding photojournalism has been such a mainstay in wedding photography over the last few decades, it has clouded the way brides and grooms describe what they want their wedding photography to look like.
One small caveat before I move on: I operate in a semi-photojournalistic mode throughout the majority of the day because I prefer not to interrupt the flow of the day and find wedding photojournalism to be the perfect response to the need for telling the story of the day. But my strength in photographing weddings is composing flattering shots and working with lighting. That means I need to interact with the bride and groom in order to do what I do best and that’s a major break away from pure photojournalism. So to make sure there is room for me to work with brides and grooms on their day, I ask that couples set aside a minimum of one hour in their day. During that time, we create lots of images that often show up in clients’ wedding albums and on their walls. When you’re paying to have a photographer document your day, it’s important to make sure there is enough time for photography in your wedding schedule.
Getting in front of the camera can be intimidating, but how much more intimidating is it when you don’t know what to do? I recently attended a workshop with Jerry Ghionis where he covered posing and evoking emotion. I have to say I’m a big, big fan of Jerry’s. I love how he interacts with his clients, making them feel comfortable and keeping things light and fun. On top of that, his portraits at weddings are mesmerizing. Anyway, Jerry mentioned that when he meets with brides and grooms, they often clam up at the thought of posing. He noticed a disconnect when they would get excited about his images, but not realize what goes into creating them. With help from his second shooter, Jerry might introduce some creative lighting, then guide couples into a natural pose. He’s completely respectful with brides and grooms the fact that it is their wedding day, yet his approach allows him to create images that convey their love in a way that makes them really shine. I learned a lot during the workshop and look forward to implementing some of what I’ve learned in the upcoming wedding season.
If you’re looking for a wedding photographer, here’s my best advice: 1. Do you like the images you see in the photographer’s portfolio? 2. Talk with the photographer about his/her approach for documenting the day. If the photographer’s approach makes you feel comfortable and you like his/her portfolio, then the choice is easy! My purpose is not to say that one style is better than another, but just to help brides and grooms who are planning their wedding to know how to find their best match for wedding photography.
Over the next month, I’ll be looking back at weddings from the past season to get a good sense of where I’ve come from and where I’m headed as a wedding photographer. I’ll be taking notes and sharing some favorites along the way. My wedding season starts at the end of this month, so this is where I dig in and get ready to make the most of it!
Introucing Pittsburgh Studio Bridal Sessions
/by kmillerI’m getting all geared up for the 2011 wedding season here in Pittsburgh and I have an exciting way for brides and grooms to enhance their wedding photography. Captivating Imagery is now offering Studio Bridal Sessions at SteelGate Studio. I’ve developed a new approach to bridal sessions which seem to have gone by the wayside over the last decade or so. When I think of my grandma in her wedding dress, I’m immediately taken back to a beautiful studio portrait of her with her train fanned out. It was fitting for her 1947 wedding and she looks so lovely. I’m glad to know what she looked like in her wedding gown and to have a stunning portrait of her at one of the most important times in her life. There’s a lot to be said for that.
While wedding photography has dramatically changed since then, I think there is still a need for beautiful portraits of the bride. And while I always take time to photograph the bride on her wedding day wherever we are in the time that is afforded, there is no substitute a studio bridal session. I’ll share more about that later in this post, but for now, let’s get to some images of what I’m proposing is a more contemporary approach to studio bridal portraits.
This is from Evette’s session. She’s getting married in June this year and wanted to give her husband-to-be some portraits of her in her wedding gown in a more relaxed setting. It’s very unlikely we’d have much time for this type of portrait on her wedding day, not to mention most brides don’t want to wrinkle their dress or mess their hair. The look is more on the sexy side and it shows of the neckline of her gown. It’s a nice alternative to a boudoir session because a bride can be dressed in her gown and be a total knockout. Plus, if a family member or friend stumbles upon the portrait someday, there’s no need to blush!
The sessions include two looks with many variations, so we take our time and try new angles and poses.
The session also includes a stylist who pampers the bride prior to the session with complete make-up and hair design. Amber Altany did Evette’s hair and make-up for this session. It is a wonderful experience for the bride and invaluable for me as the photographer, because the stylist stays during the shoot and assists with stray hairs, adjusting the dress, and touching up the make-up. That way, I’m free to focus on what I do best.
We made the most of the natural light streaming in from the studio windows. Ok, now on to a fashion-inspired look with studio lighting. This second look aims at showing off the details of her gown in a fun and lighthearted way.
We got out the wind machine and really had fun with it.
Rather than using a muslin or canvas backdrop like the traditional studio bridal portraits, I opted for gray seamless with a nod to fashion photography.
Evette’s dress is to die for. Here’s a full-length view of the back:
And now with a slightly different lighting set-up, Evette really shines in this close-up.
So, in keeping with the times, this approach to studio bridal portraits is a fun and fresh way to create gorgeous images of the bride before her wedding. In my experience, I find that these images are cherished by both brides and grooms and they become more and more valuable as time passes. A wedding is the perfect occasion to commission a portrait session that highlights the bride’s beauty at such an important time in her life. I recommend scheduling studio bridal sessions between 4 and 2 months prior to the wedding. It is a wonderful, stress-free experience that couldn’t come at a better time for most brides. Studio Bridal Sessions are $450 and include a stylist and a disc of high-resolution images with permission to print for personal use. If you’d like to know more, please contact me (Kate) to schedule a consultation.
Here’s a slide show of Evette’s session:
Studio Bridal Session Contest Results from the Pittsburgh Bridal Show
/by kmillerThanks to everyone who stopped by my booth yesterday at the Pittsburgh Bridal Show! It was such a great day! I love meeting brides and getting to know about their weddings. If you happened to enter my contest for a free studio bridal portrait, I’m ready to announce the results. And the winner is….(drum roll, please)…Jessica Dishler! Congrats Jessica!
Here’s a glimpse of my booth at the show:
Presenting Handcrafted Fine Art Albums
/by kmillerAs a Pittsburgh wedding photographer, I aim to offer my brides and grooms with a variety of albums to choose from. So I’m adding a some new options into the mix and this one is the crème de la crème. I’m pleased to present handcrafted fine art albums by Cypress. These albums are made with Hahnemühle fine art paper and bound in your choice of luxurious brocades and silks. I have to say that when you hold one of these albums in your hands, the touch is a major part of the experience, because the albums are made with some of the finest materials available.
Here’s my sample album from Rebecca & Patrick’s wedding. This is how the album is packaged when it is shipped. It’s wrapped in velum and tied with a bow with a foil-stamped tag.
Read more
Pittsburgh Portrait Photographers with Flashes of Hope
/by kmillerLast Saturday, I had the privilege of joining Alex Jones to assist and photograph a portrait session at SteelGate Studio with Flashes of Hope. Flashes of Hope is a nonprofit organization that provides portrait sessions to children with cancer and other life-threatening illnesses with the purpose of changing they way they see themselves with the gift of photography. The organization also raises money for pediatric cancer research.
Here’s a mother and her 3-month old daughter who joined us that day.
Read more